Urn:oclc:record:1336100470 Foldoutcount 0 Identifier musiciansguideto0000murp Identifier-ark ark:/13960/s2bc5zrvmq9 Invoice 1652 Isbn 0393264068Ġ393621820 Ocr tesseract 5.1.0-1-ge935 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9790 Ocr_module_version 0.0.16 Ocr_parameters -l eng Old_pallet IA-NS-0001190 Openlibrary_edition Set-class tableĪccess-restricted-item true Addeddate 13:08:22 Associated-names Phillips, Joel, 1958- author Marvin, Elizabeth West, 1955- author Clendinning, Jane Piper, author Autocrop_version 0.0.14_books-20220331-0.2 Boxid IA40579115 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier Modulation to closely related keys - Binary and ternary forms - Appendix 1.Try It answers - Appendix 2. The two volumes, organized by skill type, contain a wide range of exercises and a diverse repertoire of real musicclassical, popular song, film. Soprano and bass lines in eighteenth-century style - The basic phrase in SATB style - Dominant sevenths, the predominant area, and melody harmonization - Expanding the tonic and dominant areas - Diatonic harmonies and root progressions - Embellishing tones in four voices - The vii 6, vii 7, vii 7, and other voice-leading chords - Phrase structure and motivic analysis - Diatonic sequences - Secondary dominant and leading-tone chords to V - Tonicizing scale degrees other tha V - Part three. The Musician’s Guide to Aural Skills integrates all critical aural skills in a single teaching and learning program coordinated (chapter by chapter) with a companion text in theory and analysis. Pitch and pitch class - Simple meters - Pitch collections, scales, and major keys - Compound meters - Minor keys and the diatonic modes - Intervals - Triads - Seventh chords - Note-to-note counterpoint - Melodic/rhythmic embellishment in two-part counterpoint Other proposals take a more measured approach to integrating perceptual skills with otherwise traditional curricula.
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"For use with the AP Music Theory course" - coverĪppendices located between parts one and two/three The more radical proposals call for redesigning aural skills classes to focus on perceptual skills and relocating knowledge-mediated listening to the music theory classroom. Includes registration code for access to online recordings (single user only) on separate card "This Ear-Training volume develops listening and writing skills, including composition, in assignments that students may complete in class or as homework."-Page vii These chapters include every topic covered on the AP exam. This AP edition includes chapters 1-23 of The Musician's Guide to Theory and Analysis Workbook and The Musician's Guide to Aural Skills: Ear-Training. The authors have served as AP readers and test development committee members they are also regular consultants at AP workshops and summer institutes. Corresponding written and aural chapters make coordinating written theory and aural skills easy.
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The aural skills and written texts cover every topic in the AP Music Theory curriculum. The Musician's Guide is the only text that offers a comprehensive and integrated approach to written theory and aural skills. This book is the ideal text for AP Music Theory.